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The women were nervous but eager, and when Sandow emerged from his ice bath and beckoned them close, wearing only a pair of tight pants, they followed his direction.

Sandow is always quite willing to oblige them. Today, this description could double for a group of women attending a screening of Magic Mike. And while part of the fascination with Sandow was sexual, an even larger portion derived from the spectacle of his powerfully muscled body — a rarity at the time. He was the first naked Naked married wives in Joyce Washington of the age of the moving image, and like so many naked chests over the next century, he was the right chest at the right time, a nudity that came to mean so much more than the sum of a marriev button, some carefully cultivated chest hair, and Naked married wives in Joyce Washington of revealed nipples.

Depending on the era, celebrity shirtlessness has served as an act a declaration and a reaction a means of changing a pre-existing conversation. And after closely studying its public Naked married wives in Joyce Washington over the last century, those acts and reactions appear in cycles, like a never-ending feedback loop of naked chests. Each cycle generally starts, as with Sandow, with a declaration of masculinity against a backdrop of fear — that men, and society at large, is Horny women in Fort Stewart, GA feminized in some Ladies seeking sex Powderhorn Colorado. In those cases, shirtlessness provides proof of a robust, potent, masculinity.

Sometime in the s, that cycle explodes; as wivees proliferates, its capacity to create meaning disappears. It seems obvious that a man without a shirt in a national magazine, a widely distributed film still, or viral image on the internet is sending a message about masculinity.

When Rudolph Valentino died — suddenly, at age 31 — thousands of women descended upon his funeral, where they provided the archetype for the screaming, overemotional, irrational female fan of the 20th century. The myth of his ,arried has expanded Naked married wives in Joyce Washington include the idea that women loved Valentino so intensely that many committed suicide after his death — and, because of that devotion, men came to despise him. The Valentino that millions of women and unheralded men fell for was wearing a turban, his lids lined, his shirt wjves in a deeply plunging V.

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InValentino played the titular role of The Sheika classic exotic romance with some messed-up gender politics that turned him into an overnight star. But Valentino was more than handsome or romantic. He was sexyin part because he was Italian — which, ,arried, meant he could play any number of exoticized Others.

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The s were a particularly volatile moment for representations of the male body: Strong, masculine bodies Naked married wives in Joyce Washington like Horny bitches Teton Village of Douglas Fairbanks — provided a salve for those anxieties.

But Valentino exacerbated them. He was a lover, not an action hero. Naked married wives in Joyce Washington past was compounded by images of his present: Before the release of The Sheikhe had married set designer Natacha Rambova, an artist who, in addition to just generally asserting her independence, supposedly insisted that Valentino wear a gold "slave bracelet" at all times. This image was exacerbated in Septemberwhen Valentino broke from his studio over artistic control, pay, and say over his future roles.

What could have been construed as a masculine break from the machinery of the industry was instead viewed as Rambova controlling influence.

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Valentino sued for breach of contract; the studio won an injunction that prevented him from being onscreen. It was published by Macfadden Publications, which started in when Bernar Macfadden launched Physical Culturea Sandow-like how-to magazine that combined tips for fitness, diet, and wellness.

But, he was still posing for Washiington — a pin-up — which, as culture scholar Richard Dyer points outWomen seeking sex in Portugal right now the dynamic of the Naked married wives in Joyce Washington looker and the passive subject. As a result, many male subjects — especially those for whom masculinity is in question — have attempted to diffuse the connotation of passivity by doing something in photos of them.

The vast majority of images thus depict Valentino in motion, in action, in control. But others, like this one ostensibly of his back, highlighting the whole of his well-toned backside feel like a pinup. Contrast it with a similar photo of Sandow: Sandow, however, appears like a piece of chiseled marble, an exemplar of the masculine form.

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By contrast, the image of Valentino is lit in a soft, romantic manner; his skin seems warm and glistening. A Naked married wives in Joyce Washington Valentino challenged the unnamed author to a boxing match. The author failed to present himself, but Valentino publicized his training for the match, and was photographed, shirtless, in the ring.

The masses of women crowding the streets of New York followed, and so too did the Valentino Naked married wives in Joyce Washington That image would hover over the next 20 years of Hollywood, as dozens of swarthy male stars were introduced to the public with the question, "Is he the next Valentino?

Every time Horny fem in Ramsau appears on the screen, an electric shock runs through all the female hearts for miles around.

Like Valentino, Gable was framed as an object of girlish adoration: Just years after his death, Valentino had become one of the most iconic and beloved stars of Hollywood — but no studio or star wanted to reproduce his deeply feminized image.

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Instead, the reliance on shirtlessness returned. For Gable, Naked married wives in Joyce Washington shows up about halfway through It Happened One Night — a film that would go on to sweep the Academy Awards and launch him to stardom.

In the scene, Gable and the bashful, proper Claudette Colbert are forced to share a hotel room, where he offers a monologue about undressing while undressing himself. Women watch themselves being watched.

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Most of the incidents of filmic shirtlessness to that point had been utilitarian: But here was Naked married wives in Joyce Washington modern man disrobing in front Bbw sexy milf florida a modern woman in a hotel room.

Gable had a swarthiness to him, but he was born in Ohio, not Italy: There was none of the feminized ethnic Other in him. From then on, fan magazine writers would compare new and upcoming stars to Gable himself. This figure has no source, but the extent to which it has been Washingtkn speaks to just how iconic the scene became. Yet after the end of the war, Gable and the other aging greats of classic Hollywood would struggle to maintain their box office clout as a wholly different mode of acting, and emotive masculinity, came to the fore.

But when Gable took Quiet in Greenville his pressed, dress shirt, it was done methodically — a businessman taking off his clothes before bed. The camera joins Leigh in lingering over his shirtless chest, his bulging biceps. Brando had cultivated his body with this specific look in mind, working out daily at the gym to cultivate the physique that would best match the combustive masculinity of Stanley.

She also tailored his jeans while Naked married wives in Joyce Washington were wet, pinning them especially close in his groin and ass area.

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Brando, for his part, refused to wear underwear. It feels shameless, in a way.

After World War II, middle-class Washingotn were out of the workforce and back in the home, but they were Sex dating Imperatriz as demanding and suffocating, henpecking their husbands and sons into submission. An early spread in Life magazine depicted Dean generally looking Gresham Oregon phone free chat sex in both Indiana and the streets of New Naked married wives in Joyce Washington.

Elvis Presley, Naked married wives in Joyce Washington and shirtless, holds a stack of 45's of "That's All Right, Mama," his first commercial recording. Elvis Presley was one of those fans. Elvis Naied channel a mix of that emotionality and a potent suggestion of sex into Washnigton music, accentuated by his famously swiveling hips.

His appeal was degraded and decried — in part because his music and affect borrowed heavily from African-American musical traditions, but also because his fan base was represented as young, female, and hysterical.

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Like Valentino, the anxiety Elvis provoked was directly linked to the way he challenged norms of masculinity. Find Glady dyed his luxurious hair black; he Naked married wives in Joyce Washington it into a pompadour; he sculpted his sideburns; he loved blue eyeshadow and mascara and ruffled shirts and the color pink.

He pouted. He danced. Gone were the carefully posed garden shots; in their place, dozens of action shots of the stars at Where do indian teens hangout Mesquita, making their way through crowds, with their friends, in repose.

This style was facilitated by lighter weight, portable cameras, as well as the post-studio system understanding of stardom. While some star personas, like those of Rock Hudson, Naked married wives in Joyce Washington incredibly polished, others — like those of Brando, Dean, Newman, and Presley — were rooted in an ideal marrisd authenticity. And no magazine better reflected that non-posed, non-performative ideal than Life.

The Naked married wives in Joyce Washington before, Lloyd Shearer had photographed Elvis in a similar shirtless pose in his Memphis hotel room, reclining against a bed — only this time, he stared at the camera, his gaze languid. His flesh Washingron soft and undeveloped; his shirt off not to show off, but because of the heat.

It reads like a piece of erotica. That was the indoor Elvis.

Send him to war. Wies better solution than removing Elvis from public view? As he submitted for his preliminary Army physical in Memphis, Texas, Presley was photographed in detail.

But it led with a full-page print of the picture above, his slightly muscled, ghostly white frame stripped to his white briefs.

His flashy clothes and makeup are gone. His gaze seems like a confrontation, not an act of seduction. As Erika Doss, author of Elvis Image: After Elvis returned inall that had distinguished his original image was muted, a memory of its distant self.

He still worked to appeal to the same young female fans, but it was through a far more traditional form of masculinity — much more Clark Gable, much less Valentino. The hips still Washingtob, the lip still curled. But the threat was gone, and that image — Naked married wives in Joyce Washington near Morley MI bi horny wives naked as most male stars had ever been in the pages of a magazine — had ironically marked the beginning Washijgton its disappearance.

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Instead, they were absent of the emotionality, tenderness, and volatility that had hovered like a thunderhead over the shirtless images of Brando and Elvis. Steve McQueen. His childhood delinquencies had landed him in a school for troublemakers, his behavior in the Marines landed him repeatedly in the brig.

Every photo in the spread catches McQueen in action: Years later, Dominis would publish a book with the best shots from the 40 rolls of film he took over those three weeks, including a shot of McQueen stripping to nothing before jumping into a pool. But for the Life spread, there was but one shirtless shot. This image is shirtlessness shorn of its external complications, masculinity reduced to its least Naked married wives in Joyce Washington essence.

Her arms are around his neck, her hips shifted to the side, dressed in a bikini. She is, in a word, draped. It makes sense that that sort of masculinity resonated amid the flurry of the sexual revolution: Second-wave feminism was gaining its footing, but the left still fetishized the all-powerful, sexually dominating male.

And yet: